... the iota kappa project...: ... holding back the years 2004-2008...

Πέμπτη 10 Δεκεμβρίου 2009

... holding back the years 2004-2008...

artists in alphabetical order... (-m.s.)

ACTARUS - "Milkfloat"
Artist: Actarus Album : Actarus Year : 2005
the iota kappa project review:7/10

AUDREY - "Plain Pieces"
Artist: Audrey Album: Visible Forms Year: 2006
the iota kappa project review: 7/10

ADELAIDE - "Games Without End"
Artist: Adelaide EP: Adelaide Year: 2004 (rare)
the iota kappa project review:8/10

BECAUSE OF THE GHOST - "Fall Short of Certainty"
Artist: Because of Ghosts Album: The Tomorrow We Were Promised Yesterday Year: 2006
http://www.becauseofghosts.com/
the iota kappa project review: 7/10

MAYBESHEWILL - "He Films the Clouds Pt.2"
Artist: Maybeshewill Album: Not For Want of Trying Year: 2008
the iota kappa project review 6/10

MOVING MOUNTAINS ALBUM - "8105"
Artist: Moving Mountains Album: Pneuma Year: 2007
the iota kappa project review 8/10

NEIL ON IMPRESSION - "Barone"
Artist: Neil on Impression Album: L'Oceano delle Onde Che Restano Onde Per Sempre Year: 2008
the iota kappa project review:6/10

RED SPARROWS - "Alone & Unaware..."
Artist: Red Sparrows Album: At The Soundless Dawn Year: 2005
the iota kappa project review: 7/10

WOODS AND WIRES - "Archernar"
Artist: Wood and Wires Title: Archernar Album: Wood and Wires Year: 2006
the iota kappa project review: 7/10

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"post-rock"... - - origin of the term

Origin of the term

The term "post-rock" is believed to have been coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of MOJO magazine. Reynolds expanded upon the idea later in the May 1994 issue of THE WIRE. He used the term to describe music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre & textures rather than riffs and power chords". He further expounded on the term, "perhaps the really provocative area for future development lies...in cyborg rock; not the wholehearted embrace of Techno's methodology, but some kind of interface between real time, hands-on playing and the use of digital effects and enhancement". Reynolds, in a July 2005 entry in his blog, claimed he had used the term "post-rock" before using it in MOJO, previously using it in music newspaper MELODY MAKER. He also said he later found the term to not be of his own creation, saying in his blog, "although I genuinely believed I was coining the term, I discovered many years later it had been floating around for over a decade."

--Wikipedia, in http://en.wikipedia.org/wiki/Post-rock

Disclaimer

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Thank you, in solidarity,

... the iota kappa project...