... the iota kappa project...: ... 2009 - -impressions of a year to reflect upon... THE IOTA KAPPA PROJECT REVIEWS

Κυριακή 27 Δεκεμβρίου 2009

... 2009 - -impressions of a year to reflect upon... THE IOTA KAPPA PROJECT REVIEWS

... 2009 - -impressions of a year to reflect upon...
THE IOTA KAPPA PROJECT REVIEWS
---the iota kappa project choices (the artists are in alphabetic order) for 2009 - not necessarily the "best"(!?) but those which we actually loved and enjoyed:

BLUENECK - Low (from the new album, "The Fallen Host")
Artist: Blueneck Album: The Fallen Host Year: 2009
the iota kappa project review: 8/10

BRITISH SEA POWER - Man of Aran (from the new album "Man of Aran")
Artist: British Sea Power Album: Man of Aran Year: 2009
the iota kappa project review: 9/10

CASPIAN - The Raven (from the new album "Tetria")
Artist: Caspian Album: Tetria Year: 2009
the iota kappa project review: 8/10

Artist: Giardini di Miro Album: Il Fuoco Year: 2009
the iota kappa project review: 9/10

Artist: If These Trees Could Talk Album: The Earth, Below The Sky Year: 2009
the iota kappa project review: 7/10

MOUNTAINS - "Telescope"
Artist: Mountains Album: Choral Year: 2009
the iota kappa project review: 7.5/10

Artist: Pertego Album: Ep "Hjarta" Year: 2009
the iota kappa project review: 7/10

THE ANTLERS - Kettering (from the new album: "Hospice")
Artist: The Antlers Album: Hospice Year: 2009
the iota kappa project review: 9/10

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"post-rock"... - - origin of the term

Origin of the term

The term "post-rock" is believed to have been coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of MOJO magazine. Reynolds expanded upon the idea later in the May 1994 issue of THE WIRE. He used the term to describe music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre & textures rather than riffs and power chords". He further expounded on the term, "perhaps the really provocative area for future development lies...in cyborg rock; not the wholehearted embrace of Techno's methodology, but some kind of interface between real time, hands-on playing and the use of digital effects and enhancement". Reynolds, in a July 2005 entry in his blog, claimed he had used the term "post-rock" before using it in MOJO, previously using it in music newspaper MELODY MAKER. He also said he later found the term to not be of his own creation, saying in his blog, "although I genuinely believed I was coining the term, I discovered many years later it had been floating around for over a decade."

--Wikipedia, in http://en.wikipedia.org/wiki/Post-rock

Disclaimer

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Thank you, in solidarity,

... the iota kappa project...